susieq0044@sh.itjust.works to Piracy: ꜱᴀɪʟ ᴛʜᴇ ʜɪɢʜ ꜱᴇᴀꜱ@lemmy.dbzer0.comEnglish · 4 days agoDeep cuts: how one Londoner’s fake vinyl empire sheds light on ‘industrial scale’ fraudwww.theguardian.comexternal-linkmessage-square25linkfedilinkarrow-up164arrow-down12
arrow-up162arrow-down1external-linkDeep cuts: how one Londoner’s fake vinyl empire sheds light on ‘industrial scale’ fraudwww.theguardian.comsusieq0044@sh.itjust.works to Piracy: ꜱᴀɪʟ ᴛʜᴇ ʜɪɢʜ ꜱᴇᴀꜱ@lemmy.dbzer0.comEnglish · 4 days agomessage-square25linkfedilink
minus-squareprole@lemmy.blahaj.zonelinkfedilinkEnglisharrow-up1arrow-down1·2 days agoSketchy analogy. But if we are talking about famous artist architects (like your Frank Lloyd Wrights, and I’m sure there are others), the yeah they probably are actually. But we’re not talking about resale are we? We are talking about bootlegging legitimate artwork.
minus-squarerichmondez@lemdro.idlinkfedilinkEnglisharrow-up1·1 day agoEven for legitimate copies, a retailer doesn’t get in touch with the artist to let them know who they’ve sold a copy to.
Sketchy analogy.
But if we are talking about famous artist architects (like your Frank Lloyd Wrights, and I’m sure there are others), the yeah they probably are actually.
But we’re not talking about resale are we? We are talking about bootlegging legitimate artwork.
Even for legitimate copies, a retailer doesn’t get in touch with the artist to let them know who they’ve sold a copy to.