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Joined 1 year ago
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Cake day: June 13th, 2023

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  • Custom keyboards took off because of mechanical switches. Back in the day people wanted mechanical switches because they last longer than membrane ones, and so you wound up with a bunch of companies producing relatively easy to manufacture mechanical switches. Those switches all felt and sounded a little different so you got people who wanted a specific feel and sound and it grew from there.

    There hasn’t really been the same push with mice because even really cheap ones work really well. Optical sensors are way harder to produce than key switches, and while there are a few different ones on the market other than dpi and polling rate they kind of all act the same - it kind of either tracks right or it doesn’t. There’s no differentiation unlike switches that are “tactile” or “linear” or “scratchy”. And because of size restrictions you can’t really have the same kind of switches as keyboards use for the buttons. And unlike the really niche keyboard people who do their own PCB and machine their own case, making a good mouse on your own from scratch is way more difficult. They’re weird shaped and it’s much more difficult to change things like optical tracking algorithms compared to macros on a 40% keyboard. You can do a run of 100 super niche keyboards and make it work, but just the injection molds for one mouse mean you need to make 10000, which stops it being a project and makes it a business.

    There are premium mice manufacturers, but in general they either are going super light, super ergonomic, or super functional - and honestly they have a hard time competing with a company like Logitech that can produce really similar features for a fraction of the cost and have a decent reputation to boot.


  • I believe you can change the scaling algorithm obs uses? Right click the source and go to “scale filter” is what Google is telling me, not at a computer right now. I think it defaults to bicubic which should be ok though? The switch does its own internal scaling a lot of the time and that can look pretty bad though, but unless you get into some serious shenanigans that’s basically baked in.



  • It entirely depends on how much and what you’ll use them for. They’re going to be around $200 USD all in, so if they’re for occasional use probably not. If you’re going to use them a lot like for work or a regular hobby then it’s not a crazy amount to spend. They tend to be more comfortable than flange earplugs, and a little better than foamies, but for me at least I don’t want them in for more than 3 hours.

    Etymotic makes a few different ones for general noise, sleeping, music, and they also do ones for their earphones.


  • Look for a local print or embroidery shop that you can get like work shirts and business cards and whatnot made. Unless you’re really in the middle of nowhere, there’s probably a local print shop that will at least be able to point you in the right direction. If you want a one off instead of a small batch look for a place that offers embroidery - it sounds more expensive but because they can just throw whatever on the machine and do a one off, it’s usually actually less expensive than traditional screen printing. Specifically for hats in not sure if you can get them digitally printed in most smaller local shops.


  • If you are working with a specific company to produce a personalized / custom product, they will generally have at least one person on staff that can do design, or at least deal with any file conversion and technical stuff like that. They should be able to quote you a price.

    If you are working with an artist first, they may have a company they’re familiar with to have the item produced, and if they do, should be able to handle most of it themselves. If they don’t, or you would like it produced somewhere specific, just let the artist know - most places will have all the information the artist will need on their website, or the artist can just get in touch with them directly.

    In general, if you’re going to an artist or design shop they should be able to give you some kind of quote with a very rough idea of what you want - especially if they do this professionally, talking to people who don’t have an art background is basically half their job. If you want to be specific it’s much more useful to send something like a mood board or a collage of similar things than a bunch of text. It’s also generally a good idea to be open to their ideas, as they often have experience that may be helpful and will see some problems much quicker than you might.



  • I had a similar problem recently. I switched to a titanium heat break since I apparently have a habit of tightening the aluminum ones a bit too hard, and it was fine for a while but I started getting clogs basically every print at about the 10 minute mark that seemed like heat creep. I couldn’t figure out what the deal was since titanium should be even better about heat creep.

    It turned out that the machining for the heat breaks might have been too rough I think? Or at least not “perfect” in some way. I had a ton of problems until I “seasoned” them with mineral oil. Basically throw a couple drops in the heat break with it at about 250. Obviously be very careful since it’s flammable. You could probably accomplish something similar with an old school filament oiler.


  • Yeah newsprint would be a pain in an inkjet depending on exactly what it’s like. It might not even be much thinner, it’s often a little “fluffy” so it can be printed fast.

    If you take it in somewhere and get it spiral / coil bound that’s probably your best bet if you don’t want to do a binder. You can do it yourself but you basically need a little desktop machine to do the punching which is annoying unless you’re doing it regularly.

    Traditional hardcover probably won’t work for you. That involves printing a bunch of booklets called signatures then sewing them together and it’s a whole thing. Basically there’s a reason well made hardcover books are expensive.

    You could do perfect or tape binding pretty easy though. Essentially you glue all the edges to a backing and then wrap a cover around it. It works ok for low usage, but if you want it to lay flat or hold up to abuse you’ll have problems. You can kind of mitigate that by using a gpod spine backing but it’s not a perfect solution. If the copy you have isn’t already laid out for printing it may be worth it to edit it a bit so the contents are farther from the spine if you do that, but it makes printing a bit more complicated.


  • So, I’ve never pirated a book but I do have some printing and binding knowledge, so some of this might be off base.

    If the original book isn’t fully chungus it’s probably printed on a low weight newsprint, a low weight coated paper, or something weird like vellum or scritta. Problem is most of that is going to be specialty and only really available in rolls or large sheets through a distributor.

    Most of the thinner stuff you’ll be able to find in sheets has become a thing with fountain pen lovers. Look for Tomoe River or Bank paper. They are in the 50gsm range and should be a bit thinner than normal 75ish gsm copy paper. It’s going to be way more expensive than normal printer paper but it should be thinner. The other issue is actually getting your printer to reliably print on thinner paper. Home printers, especially inkjets, really don’t deal with thin paper particularly well. Lasers usually do better since they tend to use a different paper pickup and path, but they can still have issues.

    Your printer should have a thin paper setting to reduce the amount of ink that it uses so you don’t get as much bleed. The other thing you’ll have to look out for is that those papers will take longer to dry than normal paper, so if your printer has a drying time you’ll probably need to set it as high as it will go. You might even want to wait a day before flipping it over for the duplex print. Which you definitely should some that will literally halve the size of the book. It will probably be fine anyway since this is likely a multi day project just given how long it will take to spit 1000 pages out of an inkjet.

    Unless you absolutely need to have the whole thing with you all the time, I would consider printing it in volumes. Even if you duplicate sections like an index or glossary or reference section or whatever, you’re still probably going to have a lot less trouble and maybe spend less.


  • I think it’s a conflation of the ideas of what copyright should be and actually is. I don’t tend to see many people who believe copyright should be abolished in its entirety, and if people write a book or a song they should have some kind of control over that work. But there’s a lot of contention over the fact that copyright as it exists now is a bit of a farce, constantly traded and sold and lasting an aeon after the person who created the original work dies.

    It seems fairly morally constant to think that something old and part of the zeitgeist should not be under copyright, but that the system needs an overhaul when companies are using your live journal to make a robot call center.



  • capture card

    Hmm I need to do some research. I’m not really sure what these are for or what they do, but I’ll look into it, thanks.

    Sorry, probably should have explained. If you have a camera that has an HDMI or other video output they basically convert it to a USB camera.

    I’ll look into this as well. Seems like people have had focus issues though, based on reviews I saw.

    Most of the models they put out don’t have autofocus at all, you have to physically turn it to focus. Depending on exactly how your setup works that may or may not be viable - overhead cam like for playing magic probably doesn’t move much, but for video conferences where you shift in your chair it might be weird if the room is a bit darker.


  • If you already have a camera with HDMI output sitting around a capture card can be a great way to get really good image quality for not much money. If 720p is enough I’ve actually had really good success with these incredibly cheap ones: https://youtu.be/daS5RHVAl2U - I’ve even seen them at places like Walmart and Target under the Vivitar brand so they’re readily available.

    If you don’t look around locally for used Sony cameras. Because 1080p is only 2 mega pixels and many of the nicer old Sony cameras have clean HDMI output you can get kind of amazing image quality for very cheap. Some newer model mirrorless cameras got updates to run as a webcam directly off the USB port but they’re likely out of your budget and some require software. (Edit: make sure you check if the model you’re looking at has clean HDMI out - some do, some don’t, and some do with some tweaking. This site has a decent bit probably incomplete list: http://wasge.es/clean_output/ )

    If you want a more traditional webcam and need autofocus something like the Logitech c920 family is probably your best bet but the constant revisions may have added a software install. Most cameras are including software since realistically they’re all basically the same and most of the “features” are added in the software.

    If you don’t need autofocus, there are a number of companies taking Sony “security camera” sensors and slapping them in boxes with screw mount lenses. ELP and Mokose are examples but there are others. With enough light these generally look pretty dang good. If you pick one up and decide later to upgrade, it can probably live mounted up high just for playing magic, especially since there are a few 4k ones that will probably let you read the tiniest of text on the cards.